Design preview 01 · Try a frame 02 · Walk the wall Make it yours →
LOT 01OVENDEN ROAD, HALIFAX

See it framed before you hand it over.

Choose the moulding, the mount and the glass, put your own photograph inside it, and turn the whole thing in the light. Then ring and we will tell you what it comes to.

Monday, Tuesday, Thursday, Friday
8am–4pm
Saturday
9am–12 noon
Wednesday and Sunday
Closed

The four o'clock finish and the closed Wednesday catch more people out than anything else. Typical hours — ring before a special trip.

5.0 from 20 customer ratings on Yell
LOT 02TRY A FRAME ON IT

Four choices, the same four you would make at the counter.

The moulding round the outside, the colour of the mount, how much of it shows, and what goes over the front.

Drag the frame to turn it. A moulding is a shape, not a swatch, and it only reads properly once the light moves across it — which is also the quickest way to see what non-reflective glass actually does.

Your photograph never leaves this page. The browser reads it off your own machine and draws it straight into the frame; nothing is uploaded anywhere.

A framed photograph in a plain wooden moulding with a wide off-white mount.

Drag to turn it

MOULDINGPlain oak
MOUNT COLOUROff-white
MOUNT WIDTHStandard
GLAZINGStandard glass
THE PIECE10×8
STAND-IN PICTUREPhotograph

Both stand-ins are placeholders for whatever you are having framed. Got the real thing to hand? — it stays on your machine.

Plain oak, off-white mount, standard glass

LOT 03WHAT IT COMES TO

Priced on the size of the piece and what goes round it.

The moulding, the mount and the glass over the front are what move the figure, and they move it in that order. A wide gilt profile round a large piece is a different job from a slim black one round a photograph.

Take yours in, or ring with the measurements, and you will get a figure before anything is booked in. It is a two-minute conversation and it saves a wasted trip.

What the shop does

A frame made to size

Moulding cut and joined to the size of the thing itself. Nothing gets trimmed down to fit a frame off a shelf.

Mounts, cut and bevelled

The card border between picture and frame, its window cut at 45 degrees so the opening looks finished rather than punched out.

Glass, or acrylic

Ordinary glass is clear and heavy. Non-reflective takes the room out of it. Acrylic is lighter and will not shatter.

Backing and fittings

The board behind, sealed at the edges, then the cord, D-rings or plates that get it on the wall the right way up.

Box frames

Deeper frames with room behind the glass for anything that is not flat — a shirt, medals, a cap, a christening gown.

Re-framing and re-glazing

Something old, faded or cracked taken apart, cleaned up and put back in a frame that suits it now.

LOT 04CHOOSING

A frame is a decision about the wall, not just the picture.

The same photograph reads differently in a slim black profile than it does in a wide gilt one. One suits a white wall in a back bedroom; the other suits a chimney breast. That is why the tool above changes the surround and leaves the picture alone.

Mount width does more than people expect. A generous mount gives a small picture presence and stops a busy wall crowding it. A narrow one keeps a big piece from taking over a small room.

If you are hanging several things together, bring them all in at once. The mounts and the mouldings can then be settled as a group rather than one at a time.

Framed pictures hung together in a group on a plain wall.
Hung as a group, settled together.
A framed photograph standing against a wall, showing the depth of the moulding.
The profile shows most from the side.
LOT 05COME IN, OR ASK

Bring it in, or send the measurements.

If you have used the tool above, the button puts your choices straight into the message. Measurements of the piece itself are the useful part — height and width, and whether it is flat.

ADDRESS
310 Ovenden Road, Ovenden, Halifax HX3 5TJ
OPEN
Mon, Tue, Thu, Fri 8–4 · Sat 9–12
CLOSED
All day Wednesday and Sunday

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